The paintings from JaLi’s “Dante Cycle,” like the two images featured here, can be viewed in the virtual gallery on his website ( 20). The fairy tale imaginative works of this Artist strongly influenced Jacek Lipowczan’s future creativity and his artistic imagination.” –Jacek Lipowczan, Jacek Lipowczan Magical Dreams, 2018 His experience as junior scene designer in the team of Polish film Director Kazimierz Kutz introduced him to the works and projects of Andrzej Majewski. Jacek Lipowczan born in September 1951 in South Poland, studied on the Academy of Fine Arts in Cracow and graduated in 1976 obtaining his Master of Art Degree in the Grafic Design in the atelier of Professor M. “Jacek Lipowczan signs his paintings as ‘JALI’. Boudreau, Packing Inferno: The Unmaking of a Marine (2008) This theatrical piece will be discussed by scholar Sara Fontana in her contribution to the forthcoming volume Dante Alive.Ĭategories: Performing Arts Tagged with: 2008, Adaptations, Animals, Architecture, Costumes, Dark Wood, Dogs, Festivals, France, Journeys, Live Performances, Paris, Performance Art, Suffering, Theatre, Translations Tyler E. Relatedly, see our post on Romeo Castellucci’s earlier 2002 commendation here. Romeo Castellucci shows each spectator that at the bottom of his own fears there is a secret space, marked by melancholy, in which he hangs on to life, to ‘the incredible nostalgia of his own life.'” - Festival D’Avignon, 2008 But this fragility is a resource, however, because it is the condition of a paradoxical gentleness. The visual dynamic of this show possesses the consistency of this stupor, sometimes this dread, that seizes the man when he is reduced to his paltriness, defenceless faced with the elements that overwhelm him. Everything here aggresses him, the violence of the images, the fall of his own body into matter, the animals and spectres. Alone on the large stage, or on the contrary, walled in by the crowd and confronted with the world’s hubbub, the man that Romeo Castellucci puts on stage fully suffers, bewildered from this experience of loss of self. But what sin is the artist guilty of? If he is thus lost, it is because he does not know the answer to this question. In a dark wood in which he is immediately plunged, he doubts, he fears, he suffers. He offers the spectator, in three stages and at three venues of the Festival, a crossing, the experience of a Divine Comedy. Continued abuse of our services will cause your IP address to be blocked indefinitely.“Romeo Castellucci attempts to ‘hurl down The Divine Comedy on the earth of a stage’. Please fill out the CAPTCHA below and then click the button to indicate that you agree to these terms. If you wish to be unblocked, you must agree that you will take immediate steps to rectify this issue. If you do not understand what is causing this behavior, please contact us here. If you promise to stop (by clicking the Agree button below), we'll unblock your connection for now, but we will immediately re-block it if we detect additional bad behavior.
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